| | | CD 1 |
| | | |
| | | Madryga³y w³oskie |
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| | | Giovanni Giacomo Gastoldi (ok.1550-ok.1622) |
| | | Cantiam lieti cantiamo |
| | | |
| | | Antonio Caprioli (tworzy³ ok.1500) |
| | | E d'un bel matin d'amore |
| | | Quella bella ebiancha mano |
| | | Una leggiarda nimpha |
| | | |
| | | Loyset Compere (ok.1445-1518) |
| | | Venite amanti insieme |
| | | |
| | | Philippe Verdelot (1470/80-przed 1552) |
| | | Divini occhi sereni |
| | | Con l'angelico riso |
| | | Madonna, il tuo bel viso |
| | | Fuggi, fuggi, cor mio |
| | | Si liet'e grata morte |
| | | |
| | | Jacques Arcaldet (ok.1505-1568) |
| | | Se la dura durezza |
| | | Ahime, ahime, dov'e 'l bel viso |
| | | Madonna, s'io v'offendo |
| | | Il bianco e dolce digno |
| | | |
| | | Francesco Patavino (tworzy³ ok.1500) |
| | | Donne, venete al ballo |
| | | |
| | | Maddalena Casulana (tworzy³a 1566/83) |
| | | Morir non puo il mio cuore |
| | | |
| | | Luca Marenzio (1553/54-1599) |
| | | Se la mia vita |
| | | |
| | | Cipriano de Rore (1515/16-1565) |
| | | Mia benigna fortuna |
| | | Anchor che col partire |
| | | O sonno |
| | | |
| | | Giovan Domenico da Nola (1510/20-1592) |
| | | Chi la gagliarda |
| | | |
| | | Adrian Willaert (ok.1490-1562) |
| | | Madonna mia fa |
| | | |
| | | Giovan Domenico da Nola |
| | | Medici nui siamo |
| | | |
| | | Vincenzo Bell'haver (1540/1541–1587) |
| | | Quando sara mai quel zorno |
| | | |
| | | Orlando di Lasso (Matona, mia cara) |
| | | |
| | | Giovan Domenico da Nola |
| | | Tri ciechi siamo |
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| | | CD 2 |
| | | |
| | | Madryga³y angielskie |
| | | |
| | | Thomas Morley (1557-1602) |
| | | O grief even on the bud |
| | | When lo by break of morning |
| | | April is in my mistress' face |
| | | |
| | | Thomas Weelkes (ok.1575-1623) |
| | | Thule, the period of Cosmographie |
| | | The first part |
| | | The second part |
| | | |
| | | Thomas Morley |
| | | Sweet nimphe come to thy lover |
| | | |
| | | John Wilbye (1574-1638) |
| | | Sweet honey sucking bees |
| | | The first part |
| | | The second part |
| | | |
| | | Thomas Morley |
| | | Miraculous love's wounding |
| | | |
| | | John Wilbye |
| | | Adew sweet Amarillis |
| | | |
| | | John Bennet (ok.1575-1614) |
| | | Weepe o mine eyes |
| | | |
| | | Orlando Gibbons (1583-1625) |
| | | The silver swan |
| | | |
| | | Thomas Weelkes |
| | | O Care thou wilt dispatch me |
| | | The first part |
| | | The second part |
| | | Since Robin Hood |
| | | |
| | | Thomas Morley |
| | | Fire and lightning |
| | | |
| | | Thomas Weelkes |
| | | Strike it up tabor |
| | | |
| | | Thomas Tomkins (1572-1656) |
| | | See, see, the shepherds' Queen |
| | | |
| | | John Ward (1590–1638) |
| | | Come sable night |
| | | |
| | | Thomas Vautor (ur.1580-?) |
| | | Sweet Suffolke owl |
| | | |
| | | Thomas Morley |
| | | In nets of golden wires |
| | | |
| | | John Wilbye |
| | | Draw on sweet night |
| | | |
| | | CD 3 |
| | | |
| | | Hiszpania - dwory Ferdynanda i Izabeli |
| | | |
| | | Alonso de Mondéjar (tworzy³ ok.1500) |
| | | Ave rex noster |
| | | |
| | | Francisco de Penalosa (1470-1537) |
| | | Inter vestibulum et altare |
| | | Magnificat |
| | | |
| | | Anonim |
| | | Tierra i çielos se quexavan |
| | | |
| | | Martín de Rivaflecha (1470-1528) |
| | | Vox dilecti mei |
| | | |
| | | Lucas Fernandez (tworzy³ ok.1500) |
| | | Di, por que mueres en cruz |
| | | |
| | | Pedro de Escobar (ok.1465-po 1535) |
| | | Clamabat autem mulier |
| | | |
| | | Alonso de Alba (?-po 1519) |
| | | Stabat mater |
| | | |
| | | Juan del Encina (1469-1529) |
| | | Triste Espana sin ventura |
| | | |
| | | Anonim |
| | | Dindirin, dindirin |
| | | |
| | | Pedro de Escobar |
| | | Passame por Dios, barquero |
| | | |
| | | Anonim |
| | | Si la noche haze escura |
| | | |
| | | Juan del Encina |
| | | Mas vale trocar |
| | | |
| | | Gabriel Luchas (tworzy³ ok.1500) |
| | | A la caça, sus, a caça |
| | | |
| | | Juan de Urrede (ok.1430- po 1482) |
| | | Nunca fue pena mayor |
| | | |
| | | Francisco Millán (tworzy³ pocz±tek XVI w.) |
| | | O dulce y triste memoria |
| | | |
| | | Juan del Encina |
| | | Cucu, cucu |
| | | |
| | | Alonso de Mondéjar |
| | | La tricotea |
| | | |
| | | Juan del Encina |
| | | Oy comamos y bebamos |
| | | |
| | | CD 4 |
| | | |
| | | Muzyka z Nowego ¦wiata |
| | | |
| | | Hernando Franco (1532-1585) |
| | | In ilhuicaca cihuapille |
| | | |
| | | Juan de Lienas (tworzy³ ok.1620-1650) |
| | | Salve Regina |
| | | |
| | | Cristobal de Morales (1500-1553) |
| | | Pater noster |
| | | Parce mihi, Domine |
| | | Magnificat |
| | | |
| | | Hernando Franco |
| | | Memento mei, Deus |
| | | |
| | | Alonso Lobo (ok.1555-1617) |
| | | O quam suavis est, Domine |
| | | |
| | | Francisco Guerrero (1528-1599) |
| | | Ave virgo sanctissima |
| | | |
| | | Juan Gutierrez de Padilla (ok.1590-1664) |
| | | Transfige, dulcissime Domine |
| | | |
| | | Pedro de Escobar (ok.1465-po 1535) |
| | | Salve Regina |
| | | |
| | | Hernando Franco |
| | | Dios itlazo nantzine |
| | | |
| | | CD 5 |
| | | |
| | | William Byrd (1543-1623) |
| | | Msza na cztery g³osy |
| | | Msza na trzy g³osy |
| | | |
| | | CD 6 |
| | | |
| | | William Byrd |
| | | Msza na piêæ g³osów |
| | | Christe qui lux es et dies - Precamur a 5 |
| | | Laetentur coeli a 5 |
| | | Ave verum corpus a 4 |
